{"id":3333,"date":"2024-08-12T11:18:22","date_gmt":"2024-08-12T09:18:22","guid":{"rendered":"https:\/\/vaskafonds.lv\/?page_id=3333"},"modified":"2024-11-17T22:16:08","modified_gmt":"2024-11-17T20:16:08","slug":"regina-deicmane","status":"publish","type":"page","link":"https:\/\/vaskafonds.lv\/en\/regina-deicmane\/","title":{"rendered":"Reg\u012bna Dei\u010dmane"},"content":{"rendered":"\t\t
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Aktualit\u0101tes<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Izgl\u012bt\u012bba:<\/strong>\u00a0<\/strong>R\u012bgas lieti\u0161\u0137\u0101s m\u0101kslas koled\u017ea, t\u0113lniec\u012bbas noda\u013ca
Latvijas M\u0101kslas akad\u0113mija \u2013 ma\u0123istra gr\u0101ds t\u0113lniec\u012bb\u0101<\/p>

Darbs:<\/strong>\u00a0R\u012bgas Lieti\u0161\u0137\u0101s m\u0101kslas koled\u017ea \u2013 t\u0113lniec\u012bbas noda\u013cas vad\u012bt\u0101ja
No 1996. gada \u2013\u00a0SIA \u201eManass\u201d prezidente
No 2007. gada \u2013 Priv\u0101t\u0101 b\u0113rnud\u0101rza un s\u0101kumskola \u201cVinnijs\u201d direktore
No 2011. gada \u2013 P\u0113tera Vaska fonda priek\u0161s\u0113d\u0113t\u0101ja<\/p>

Izst\u0101des:<\/strong>\u00a0Kop\u0161 90. gadu s\u0101kuma piedal\u0101s Latvij\u0101, Lietuv\u0101, V\u0101cij\u0101, Somij\u0101 u.c.
piecas person\u0101lizst\u0101des \u2013 \u201eSamtain\u0101 p\u0113cpusdiena\u201d,\u00a0 \u201eViens pret vienu\u201d, \u201ePiesarkus\u012b j\u016bra\u201d u.c.<\/p>

Darbi atrodas priv\u0101tkolekcij\u0101s:<\/strong>\u00a0Latvij\u0101, Lietuv\u0101, V\u0101cij\u0101, Somij\u0101, Kan\u0101d\u0101, Amerik\u0101, Austr\u0101lij\u0101, Zviedrij\u0101 u.c. M\u0101kslinieku savien\u012bbas biedre no 1996. gada.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Bronz\u0101 tvert\u0101 m\u012bla un sp\u0113ks<\/strong><\/p>

T\u0113lniece Reg\u012bna Dei\u010dmane pieder atjaunot\u0101s Latvijas m\u0101kslinieku pirmajai paaudzei, kuru talants uzplauka p\u0113rn\u0101 gadsimta 90. gados. Tas bija laiks, kad m\u016bsu izst\u0101\u017eu z\u0101l\u0113s par\u0101d\u012bj\u0101s m\u0101kslinieces pirm\u0101s person\u0101lizst\u0101des. Latvijas m\u0101kslas dz\u012bv\u0113 Reg\u012bna ien\u0101ca nevis k\u0101 bikls ies\u0101c\u0113js, bet ar v\u012bri\u0161\u0137\u012bgas p\u0101rliec\u012bbas sp\u0113ku un m\u0101ksliniecisko tv\u0113rienu. Vi\u0146as darbi tika paman\u012bti un atzin\u012bgi nov\u0113rt\u0113ti gan m\u0101kslas v\u0113rt\u0113t\u0101ju, gan cien\u012bt\u0101ju lok\u0101. T\u0101, piem\u0113ram, \u201eZemes banka\u201d savu telpu presti\u017ea cel\u0161anai 1995. gad\u0101 ieg\u0101d\u0101j\u0101s Reg\u012bnas Dei\u010dmanes bronzas skulpt\u016bru \u201eSkrejo\u0161\u0101\u201d, kas iez\u012bm\u0113ja jaunu ievirzi latvie\u0161u laikmet\u012bgaj\u0101 t\u0113lniec\u012bb\u0101. Darba veido\u0161an\u0101 jau\u0161ama viegla atsauce uz izcilo Rietumeiropas modernisma klasi\u0137i, \u0161veicie\u0161u t\u0113lnieku Alberto D\u017eakometi. Ta\u010du, ja vi\u0146am rakstur\u012bgas izst\u012bdz\u0113ju\u0161as un statiskas fig\u016bras, tad Reg\u012bna Dei\u010dmane \u0161o konceptu att\u012bsta ekspres\u012bv\u0101, kaisl\u012bg\u0101 dinamism\u0101 un trauksm\u0113. Un tas daudz\u0113j\u0101di sabalsojas un atspogu\u013co ar\u012b pa\u0161as m\u0101kslinieces raksturu un person\u012bbu.<\/p>

Reg\u012bna Dei\u010dmane ir baud\u012bjusi labu m\u0101ksliniecisko izgl\u012bt\u012bbu. Ies\u0101kum\u0101, 80. gadu pirmaj\u0101 pus\u0113, t\u0101s bija m\u0101c\u012bbas R\u012bgas Lieti\u0161\u0137\u0101s m\u0101kslas koled\u017eas t\u0113lniec\u012bbas noda\u013c\u0101, tad sekoja studijas Latvijas M\u0101kslas akad\u0113mij\u0101, kur topo\u0161\u0101s m\u0101kslinieces t\u0113lniecisko prasmi veidoja profesors Bruno Strauti\u0146\u0161.
Akad\u0113miju Reg\u012bna pabeidza 1996. gad\u0101 ar ma\u0123istra darbu \u201eSieviete\u201d. Paral\u0113li studij\u0101m, l\u012bdz 1997. gadam, jaun\u0101 m\u0101ksliniece vad\u012bja t\u0113lniec\u012bbas noda\u013cu R\u012bgas Lieti\u0161\u0137\u0101s m\u0101kslas koled\u017e\u0101 un deva savu ieguld\u012bjumu \u0161\u012bs m\u0101ksliniecisk\u0101s nozares att\u012bst\u012bb\u0101. Tad sekoja biznesa gaitas, kas saist\u012btas ar arhitekt\u016bru, celtniec\u012bbu, nekustamajiem \u012bpa\u0161umiem priv\u0101tfirm\u0101 \u201eManass\u201d.<\/p>

Ta\u010du dar\u012bjuma cilv\u0113ka ros\u012bba nav nom\u0101kusi m\u0101kslinieces rado\u0161o dzirksti. Aizrit\u0113ju\u0161\u0101 desmitgad\u0113 Reg\u012bna Dei\u010dmane ir izveidojusi savu noteiktu m\u0101ksliniecisko rokrakstu. P\u0113d\u0113jo gadu izst\u0101d\u0113s liel\u0101koties esam v\u0113roju\u0161i t\u0113lnieces veidot\u0101s maz\u0101 izm\u0113ra skulpt\u016bras. Ta\u010du to izm\u0113rs, kas daudz\u0113j\u0101di sam\u0113rots ar dz\u012bvok\u013cu un ofisu interjeru m\u0101ksliniecisk\u0101s akcent\u0113\u0161anas iesp\u0113j\u0101m, b\u016bt\u012bb\u0101 atkl\u0101j\u0101s k\u0101 liel\u0101ku darbu pieteikums. Sav\u0101 izteiksm\u012bb\u0101 Reg\u012bna Dei\u010dmane ir monument\u0101liste. Un, \u0161\u0137iet, tas ir tikai laika un tehnisku blakusapst\u0101k\u013cu jaut\u0101jums, kas m\u016bs \u0161\u0137ir no \u0161\u012bs m\u0101kslinieces di\u017edarbiem bronz\u0101 vai akmen\u012b.<\/p><\/div><\/div><\/div><\/div>

Respekt\u0113jot mazo formu autonomo v\u0113rt\u012bbu, Reg\u012bnas Dei\u010dmanes t\u0113lu plastika rosina uztvert tos ar\u012b k\u0101 priek\u0161darbu kaut kam dimensij\u0101s liel\u0101kam. Visam pamat\u0101 \u0161eit ir cilv\u0113ka \u0137erme\u0146a formas m\u0101ksliniecisks visp\u0101rin\u0101jums. Fascin\u0113jo\u0161s ir t\u0113lnieces konsekventais skulpt\u016bru iedal\u012bjums v\u012bri\u0161\u0137aj\u0101 un sievi\u0161\u0137aj\u0101 grup\u0101 ar atbilsto\u0161u formas izteiksmi. V\u012bri tiek interpret\u0113ti uzsv\u0113rti raupji, robusti, ar uzirdin\u0101t\u0101m virsm\u0101m un dramatisk\u0101m gaism\u0113nu p\u0101rej\u0101m musku\u013cu loc\u012bjumos. Savuk\u0101rt sieviet\u0113m pie\u0161\u0137irtas dizainiskas pl\u016bdl\u012bnijas formas, kas pras\u0101s p\u0113c skat\u012bt\u0101ja roku piesk\u0101riena un gl\u0101stiem, kuri izpaustos k\u0101 m\u0101kslinieka izprovoc\u0113ts m\u012blest\u012bbas akts. T\u0113li \u0161eit nereti ir vienk\u0101r\u0161oti l\u012bdz pat skulptur\u0101las z\u012bmes vai hieroglifa l\u012bmenim, da\u017ek\u0101rt tie balans\u0113 pat uz abstrakcijas robe\u017e\u0101m. Reg\u012bnas Dei\u010dmanes veidojumu monumentalit\u0101tes potenci\u0101ls rosina atcer\u0113ties ar\u012b britu t\u0113lniec\u012bbas lielmeistara Henrija M\u016bra formu valodu. \u0160\u0137iet, taj\u0101 abi autori var\u0113tu labi saprasties.<\/p>

M\u0101kslinieces rado\u0161aj\u0101 att\u012bst\u012bb\u0101 liela noz\u012bme bijusi zin\u0101\u0161an\u0101m un pieredzei ar\u012b dizaina jom\u0101. Tas vi\u0146ai \u013cauj izv\u0113rt\u0113t katru t\u0113lniec\u012bbas darbu ar\u012b no \u0161\u012b aspekta. Varb\u016bt, pateicoties dizaineriskam lietu v\u0113rt\u0113jumam un skat\u012bjumam intelektu\u0101los l\u012bme\u0146os, viegl\u0101k ir distanc\u0113ties no iesp\u0113jamiem piezem\u0113ta natur\u0101lisma vilin\u0101jumiem. Katr\u0101 zi\u0146\u0101 Reg\u012bna Dei\u010dmane ir viena no t\u0101m retaj\u0101m m\u0101ksliniec\u0113m, kas prot nov\u0113rt\u0113t visus vides est\u0113tikas aspektus, un prot tos ar\u012b organiz\u0113t. L\u012bdz ar to skulpt\u016bra vi\u0146as m\u0101kslinieciskaj\u0101 darb\u0101 nav kaut kas no apk\u0101rtnes konteksta.<\/p>

Reg\u012bnas Dei\u010dmanes t\u0113lniec\u012bbai ir rakstur\u012bga konceptu\u0101la skaidr\u012bba un konsekvence, k\u0101 ar\u012b smalki kopta formu est\u0113tika un kult\u016bra. M\u0101ksliniecisk\u0101s formas perfekcija un elegance \u0161eit ir sabalans\u0113ta ar saturisko po\u0113ziju un spiritualit\u0101ti. Un t\u0101s latvie\u0161u t\u0113lniec\u012bbas da\u017ek\u0101rt robustaj\u0101 vid\u0113 ir visnota\u013c apsveicamas kvalit\u0101tes. Nu tur stabili ien\u0101kusi viena sp\u0113c\u012bga person\u012bba, kurai savs v\u0101rds ir sak\u0101ms, kuras darbus gaida pasaule\u2026<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Izgl\u012bt\u012bba:\u00a0R\u012bgas lieti\u0161\u0137\u0101s m\u0101kslas koled\u017ea, t\u0113lniec\u012bbas noda\u013caLatvijas M\u0101kslas akad\u0113mija \u2013 ma\u0123istra gr\u0101ds t\u0113lniec\u012bb\u0101 Darbs:\u00a0R\u012bgas Lieti\u0161\u0137\u0101s m\u0101kslas koled\u017ea \u2013 t\u0113lniec\u012bbas noda\u013cas vad\u012bt\u0101jaNo 1996. gada \u2013\u00a0SIA \u201eManass\u201d prezidenteNo 2007. gada \u2013 Priv\u0101t\u0101 b\u0113rnud\u0101rza un s\u0101kumskola \u201cVinnijs\u201d direktoreNo 2011. gada \u2013 P\u0113tera Vaska fonda priek\u0161s\u0113d\u0113t\u0101ja Izst\u0101des:\u00a0Kop\u0161 90. gadu s\u0101kuma piedal\u0101s Latvij\u0101, Lietuv\u0101, V\u0101cij\u0101, Somij\u0101 u.c.piecas person\u0101lizst\u0101des \u2013 \u201eSamtain\u0101 p\u0113cpusdiena\u201d,\u00a0 \u201eViens pret vienu\u201d, \u201ePiesarkus\u012b j\u016bra\u201d u.c. Darbi atrodas priv\u0101tkolekcij\u0101s:\u00a0Latvij\u0101, Lietuv\u0101, V\u0101cij\u0101, Somij\u0101, Kan\u0101d\u0101, Amerik\u0101, Austr\u0101lij\u0101, Zviedrij\u0101 u.c. M\u0101kslinieku savien\u012bbas biedre no 1996. gada. Bronz\u0101 tvert\u0101 m\u012bla un sp\u0113ks T\u0113lniece Reg\u012bna Dei\u010dmane pieder atjaunot\u0101s Latvijas m\u0101kslinieku pirmajai paaudzei, kuru talants uzplauka p\u0113rn\u0101 gadsimta 90. gados. Tas […] Las\u012bt vair\u0101k<\/a><\/span><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3333","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/pages\/3333"}],"collection":[{"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/comments?post=3333"}],"version-history":[{"count":25,"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/pages\/3333\/revisions"}],"predecessor-version":[{"id":4121,"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/pages\/3333\/revisions\/4121"}],"wp:attachment":[{"href":"https:\/\/vaskafonds.lv\/en\/wp-json\/wp\/v2\/media?parent=3333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}